July and August 2021 Indonesia has risen to number one Covid hotpot in the world. “We are the next India,” friends said in the WhatsApp groups. Every day there is news of someone dying, friends or family members that got infected, and some that are grieving because loved ones have just died.
When my grandmother died just 2 days after she contracted the virus, I wrote a lamentation. My uncle died soon after.
Economic Implications of the Covid Cauldron
In one of my zoom meetings for a possible next musical project, a new possible collaborator spoke of the film industry in Indonesia being in a critical situation due to producers not being able to pay hundreds of crews. This takes me back to the beginning of the pandemic. The performing arts industry was in that critical period last year. Of course, the whole landscape freefalling and musicians had to start selling food, masks, fresh vegetables, anything really to survive.
As for myself, in addition to my job at the Bandung Philharmonic where I’ve reduced my salary by 40%, I have been very fortunate to be a part of another music start-up in Singapore, made possible by Singaporean partners and grants. I’m also lucky that Villa Gupondoro Airbnb is still up and running, in fact becoming quite the popular staycation place in Bandung, so that provides some breathing space in terms of finances. Although of course it closed down again along with everything else in July.
The film industry still had online platforms, Netflix, etc so I guess they managed to hang on for another year (just barely). But now it’s their turn. It’s like watching a slow-moving train wreck. I wonder what will indeed happen in the next couple of years. How will the map change after Covid cauldron, and who are the players that will survive?
To be honest, I am not sure. I guess we can only take it a day, a week, a month at a time and hang on to weather the storm as best as we can.